therefore risky to rely excessively
Posted: Sun Jan 12, 2025 7:50 am
one that does it less well. It can therefore be noted that we can work almost directly on two of these indices: motivation and lightness .
The four primary indices are transversal, this means that even if we can use the motivation to succeed, effectiveness and gratification to lead the user to try more complex tasks (thereby increasing the motivation to do so) it would still be counterproductive with respect to the other factors, first of all lightness. It is on the motivation to succeed and it is always preferable to follow a balanced path because: 1. it is not possible to promise an adequate balance between commitment and probability of success upstream; 2. focusing on penetration into the flow is still a winning strategy because it does not exclude, once the network is triggered, that functions emerge spontaneously that better express a balance between commitment and probability of success; 3.
there is always time to complicate the dynamics but not vice versa; 4. It is germany telegram data always better to design a network that respects the daily flow of users and to modify this constraint only later, based on how the network evolves and how the community uses and rewards certain functions and applications. Let's not forget that networks are complex systems that require constant monitoring because small phenomena can trigger large changes. For this reason, it is useful to have different feedback on the evolution of the system to identify weak signals that are expressions of possible and important changes to accommodate, in order to have a perfect balance of the various indices.
Presentation of the book by Marco Dinoi, The gaze and the event. The media, memory, cinema Armando Giorgi Giorgio De Vincenti presents the book by Marco Dinoi “The gaze and the event. The media, memory, cinema” – September 11, 2008 at 7:00 pm, Cinema Bookshop in Rome, Via dei Fienaroli 31/d Seven years after September 11, the images of the collapse of the Twin Towers can finally be removed from the media flow and become the point of intersection of everyone's gazes, to build the memory of the event. It is then necessary to rediscover the freedom of the gaze, allowing it to meet the images proposed by contemporary cinema.
The four primary indices are transversal, this means that even if we can use the motivation to succeed, effectiveness and gratification to lead the user to try more complex tasks (thereby increasing the motivation to do so) it would still be counterproductive with respect to the other factors, first of all lightness. It is on the motivation to succeed and it is always preferable to follow a balanced path because: 1. it is not possible to promise an adequate balance between commitment and probability of success upstream; 2. focusing on penetration into the flow is still a winning strategy because it does not exclude, once the network is triggered, that functions emerge spontaneously that better express a balance between commitment and probability of success; 3.
there is always time to complicate the dynamics but not vice versa; 4. It is germany telegram data always better to design a network that respects the daily flow of users and to modify this constraint only later, based on how the network evolves and how the community uses and rewards certain functions and applications. Let's not forget that networks are complex systems that require constant monitoring because small phenomena can trigger large changes. For this reason, it is useful to have different feedback on the evolution of the system to identify weak signals that are expressions of possible and important changes to accommodate, in order to have a perfect balance of the various indices.
Presentation of the book by Marco Dinoi, The gaze and the event. The media, memory, cinema Armando Giorgi Giorgio De Vincenti presents the book by Marco Dinoi “The gaze and the event. The media, memory, cinema” – September 11, 2008 at 7:00 pm, Cinema Bookshop in Rome, Via dei Fienaroli 31/d Seven years after September 11, the images of the collapse of the Twin Towers can finally be removed from the media flow and become the point of intersection of everyone's gazes, to build the memory of the event. It is then necessary to rediscover the freedom of the gaze, allowing it to meet the images proposed by contemporary cinema.